Paradise would like to acknowledge Country, upon which the dominant contemporary notions of living and the architectures they produce have been imposed as part of forcible and ongoing colonisation. We are always on Country. Paradise is produced on the grounds of a complex interrelationship of nations and kinship systems, including the D'harawal, Dharug, Eora, Gai-maraigal, Gundugurra, and Guringai peoples.

We pay our respects to the Elders past and present, and recognise that all Australian land is stolen land and sovereignty was never ceded. We also pay our respects to the Indigenous and First Nations cultural knowledge holders who have supported us and shared their stories with us in the development of this project.

Paradise acknowledges its privileged position. There is hard work to be done to understand our role in upholding the structures of white supremacy, and all entrenched systems of discrimination and injustice. This work must be done in order for us to be active in their dismantling.

DIY

Issue 02

DIY Title

Editorial Letter


DIY (do-it-yourself) is the sophomore issue of Paradise Journal. Both not much and a great deal has changed in the last year. Most of the editorial team have now finished their postgraduate studies, with a few to begin in the coming year. We are standing in the doorway, or perhaps hesitating before the endlessly forking path. We wonder what comes next. DIY comes as a direct result of this moment we find ourselves in, a train of thought both rambling and precise.

If we are to understand the architectural profession as a pipeline, our futures in practice are fixed. We may find ourselves working as graduate architects, in our choice of small, medium, or large offices. Slowly, or all at once, we may begin to build projects that make worlds…

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Conversation

You are the garden
Phillip Arnold

14.02.22

Backyard

Issue 01

Backyard Title

Editorial


As an editorial team of seven postgraduate and two undergraduate students entering our final years of study, the professional practice of architecture is not as radical as we hope it to be. We find ourselves facing a future that crumbles underfoot with each timid step.

Paradise is dissatisfied with the echo chamber that is architectural discourse in Australia. The cloistered pages of traditional academic journals stifle most genuine messages with inaccessible jargon or theoretical wank. This discourse is produced by the academic, for the academic, primarily to meet the institutional quota. On the other hand, the glossy feeds of popular architectural media serve only to sell the image, the service, or the mythology of artistic genius. Laboured obsessions with the autonomous object and our self-image as a creative field distract us from the reality that we are a service industry, fully entwined and implicated in the global flows of capital and carbon…

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